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Barcelona Chair & Ottoman (PART ONE)

 

   Barcelona White Chair & Mies Van der Rohe
 
The Barcelona White Chair was exclusively designed for the German Pavilion, that country’s entry for the Iberia-American Exposition of 1929, which was hosted by Barcelona, Spain. An icon of modernism, the chair’s design was inspired by the campaign and folding chairs of ancient times. It features the pure compositional structure that now epitomizes Modern architecture.

Black Barcelona Chair

 

 

 
   Original: chair: 29.5"w | 30"d | 30.25"h ; seat: 17" h
 
   Ottoman: 24"w |23.25"d |14.75"h ; seat: 14.75" h
 
 
   Designer :  Ludwig Mies Van der Rohe
 
Ludwig Mies van der Rohe born Maria Ludwig Michael Mies (27 March 1886-17 August 1969) was a German architect.
Ludwig Mies van der Rohe, with Walter Gropius and Le Corbusier, is widely regarded as one of the pioneering masters of modern architecture. Mies, like many of his contemporaries, after the First World War, sought to create a new architectural style that could represent modern times just as Classical and Gothic did for their own eras. He created an influential group of twentieth century architectural style, stated with extreme clarity and simplicity. Maturity buildings made use of modern materials such as steel plates and glass to define austere but elegant spaces. He developed the use of exposed steel structure of glass and join the space and define, for an architecture with a minimal framework of structural order balanced against the implied freedom of space open.
 
 
   Design Conception
 
Mies Van Der Rohe sought a rational approach that will guide the creative process of architectural design, and is known for his use of aphorisms “Less is more” and “God is in the details”. Mies designed modern furniture using new industrial technologies that have become popular classics, such as table and chair, Barcelona, Brno and the chair. His furniture is known for fine craftsmanship, a mix of traditional luxurious fabrics like leather combined with modern chrome frames, and a clear separation of structure and sustained support surfaces, often using consoles to increase the sensation lightness created by delicate frame. Mies Van Der Rohe designed the Barcelona chair to serve as seating for the king and queen of Spain, while the stool was intended to accommodate their attendants.
 
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