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Aniline Leather Egg Chair

Product category: Armchairs
Hotline: 0086-13510133516
Fax: +86-13510133516
Description:Arne Jacobsen egg chair. Design Arne Jacobsen, 1958. Aluminum, foam, upholstery. Made in Denmark by Fritz Hansen In 1958, Arne Jacobsen designed the Egg for the lobby and reception areas of the Royal Hotel in Copenhagen. Our Aniline Leather Egg Chair is made (as the original) using a strong fiberglass inner shell which is padded and covered in a high quality Aniline Leather;Covering sewing by hand;Our Aniline Leather Egg chair reproductions are ideal for contemporary living o

 

Aniline Leather Egg Chair

 

Product Parameters:


Item: CF026 Dimensions(cm): 88(L)*76(W)*109(H)
Designer: Arne Jacobsen Colors available: Red,Light Brown,Dark Brown,Black,White,Grey
Lead time: 15~25 days Order Now: [email protected] 

 

Product Description:


 
1.  The Aniline Leather Egg Chair designed by Arne Jacobsen in 1958 for Radisson SAS hotel in Copenhagen. It is manufactured by Republic of Fritz Hansen;
2.  Our Aniline Leather Egg Chair is made (as the original) using a strong fiberglass inner shell which is padded and covered in a high quality Aniline Leather;
3.  Covering sewing by hand;
4.  Fiberglass molded to make sure nice curving;
5.  Swivel base in polished stainless steel;
6.  Ottoman for optional;
7.  High quality aluminum base in chip and flake resistant Satin Finish;
8.  Four-Star aluminium base, with sturdy plastic pads to protect the floor from the scratching, highly polished with 360 degree swivel and tilting mechanism;
9.  Constructed around a synthetic “dimension true” curvature shell;
10. Ottoman features an aluminum chip and flake resistant satin finish
11.  Smooth Contour cold pressed foam body wrap provides meticulous contour for this design;
12.  More than 50 years after its design, the Egg Chair is still used in advertising, film and television as a symbol of sophisticated urbanism. Made in Denmark;
13.  Aniline Leather Egg Chair was designed in 1956 is perhaps the single-most recognizable icon of 20th century interior design. Our Egg chair reproductions are ideal for contemporary living or office spaces.

 

Reference Pictures:


 aniline leather egg chair

Aniline Leather Egg Chair

Aniline Leather Egg Chair

 

Product Pictures:


Egg chair in black leather

Egg chair in grey leather

Egg chair in light brown leather

Egg chair in red leather

 

Designer: 


Arne-Jacobsen

                      Arne Jacobsen(1902-1971) bought a plywood chair designed by Charles Eames and installed it in his own studio, where it inspired one of the most commercially successful chair models in design history. The three-legged Ant chair (1951) sold in millions and is considered a classic today. It consists of two simple elements: tubular steel legs and a springy seat and back formed out of a continuous piece of plywood in a range of vivid colors. Jacobsen began training as a mason before studying at the Royal Danish Academy of Arts, Copenhagen where he won a silver medal for a chair that was then exhibited at the 1925 Exposition Internationale des Art Decoratifs in Paris. Influenced by Le Corbusier, Gunnar Asplund and Ludwig Mies van der Rohe, Jacobsen embraced a functionalist approach from the outset. He was among the first to introduce modernist ideas to Denmark and create industrial furniture that built upon on its craft-based design heritage. First among Jacobsen's important architectural commissions was the Bellav ista housing project, Copenhagen (1930-1934). Best known and most fully integrated works, are the SAS Air Terminal and the Royal Hotel Copenhagen for which Jacobsen designed every detail from sculptural furnishings such as his elegant Swan and Egg chairs (1957-1958) to textiles, lighting, ashtrays and cutlery. During the 1960's, Jacobsen's most important work was a unified architectural and interior design scheme for St. Catherine's College, Oxford, which, like his earlier work for the Royal Hotel, involved the design of site-specific furniture. Jacobsen's work remains appealing and fresh today, combining free-form sculptural shapes with the traditional attributes of Scandinavian design, material and structural integrity.

 

 

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