Marcel Breuer Laccio Tables CF016 

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Product Description:

1. The Marcel Breuer Laccio Tables was designed by Marcel Breuer in 1925, the Marcel Breuer Laccio tables were conceived as companions to the Wassily chair but have become true classics in any decor. Functional, simple and distinctly modern. 
2. True to the original, the Marcel Breuer Laccio tables is the highest quality reproduction of the original original design specifications and is manufactured using only the highest grade material and quality workmanship.
3. Set of Marcel Breuer Laccio Tables Small and Long. 
4. Available as either a side table or coffee table, the simple design of the Laccio is based on the tubed frame of a bicycle. 
5. Our modern classics reproduction of this Marcel Breuer Laccio tables features a highly polished stainless steel frame. 
6. Tops in laminated plywood.
7. Available in black or white.
8. Dimensions: Laccio Side Table: 47(L)x55(W)x45(H)  Laccio Coffee Table: 135(L)x48(W)x35(H)

Marcel Breuer Laccio Coffee Table Set in the living room

Marcel Breuer Laccio Coffee Table Set in my home

Marcel Breuer Laccio Coffee Table

Marcel Breuer Laccio Side Table with Wassily Chair

Marcel Breuer  (1902-1981) 

  Marcel Breuer, Hungarian-American architect, designer, and teacher, who helped establish the functionalist principles underlying the International style. Breuer was born in Pécs, Hungary, and studied at the Bauhaus school of design in Weimar, Germany. He practiced architecture in Berlin until the rise of the Nazi Party, fleeing to England in 1933 and then to the United States in 1937. There he helped develop the influential School of Architecture at Harvard University. During the 1950s and 1960s Breuer designed a number of prominent buildings in the United States and Europe. His buildings are generally composed of severe blocks in rough, unfinished stone or concrete and wood.

  In 1928 Breuer left the Bauhaus and moved to Berlin. He relocated to England in 1935, when the Nazis made it impossible for anyone who had been a part of the Bauhaus – a “hotbed of Bolshevism” – to practice architecture. In 1937, he began to collaborate with Walter Gropius in the Boston area and joined Harvard as a professor. Breuer later moved to New York in 1946 to found his own architectural firm, with concrete becoming his medium of choice, exemplified by his 1964 design of the Whitney Museum of American Art.